Lets Talk About Classical Music

Classical Music

Posted by Elizabeth on May 30, 2009 in Classical Music with 15 Comments


Pianogirl


I’m not saying that is the case for some classical musicians but I find that most classical musicians do not like listening to other types of music besides classical music. A lot of them think that other genres besides classical are too corny, simple, and predictable. I just want to know why they feel that way.

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Posted by Elizabeth on May 29, 2009 in Classical Music with 9 Comments


megumi_atemu


Does it make the infants smarter and talented than those who were not exposed to the music?
Does it affect a person’s way of thinking?
Does it affect an infant’s personality?
What are the effects of classical music to infants?
What are some performed studies about classical music?

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Posted by Elizabeth on May 27, 2009 in Classical Music with No Comments


Robson Dos Santos


the new contemporary classic music made in the world by brazilian musician.

BRAZILIAN CONTEMPORARY CLASSIC MUSIC please, listen my music named: “picture of death?!” to singer(mezzo_soprano) flute, oboe, viola, cello, piano and other. if you like it l can send all score to be played with your musician in your country. thanks, robson dos santos, brazilian composer. http://www.robsound.mus.br

08. Pictures of Death?! ……a. Dead?! ……b. Gravitating …….c. Valley of the Souls ……d. Encounter with the Creator …….e. Return http://www.robsound.mus.br/en/discography04.htm

About the Author: robson dos santos, brazilian contemporary classic music composer.

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Posted by Elizabeth on May 26, 2009 in Classical Music with No Comments


John Parks


le have the same complaints about classical music and poetry. Some say classical music bores them and poetry just does not make any sense. In reality, they suffer a problem very similar to culture shock, or in other words, they have not learned how to appreciate poetry or classical music. I should be clear that most people fall into this category. Even people who have studied the arts often times do not put forth the energy required to appreciate some classical music or poetry. A look at how people listen and appreciate might help to understand what a listener or reader really has to do if they want to avoid being bored to tears by T. S. Eliot’s “Ash Wednesday” or Pier Gynt’s Hall of the Mountain King. How to Listen Spoiled by popular music, most people have never been taught how to listen to classical music. Popular music tends to consist of about three chords, has a repetitive ‘hook’, and nearly always consists of a four-four beat, three verses, and a chorus, except when it’s even simpler than that. Most popular music will repeat the important bits multiple times with a catchy rhythm just in case you didn’t hear it the first time, so you can learn the words to a song without ever really listening to it. In fact, anyone who happened to sit down and do nothing but listen intently to all the chord progressions, the lyrics, and the subtleties of the popular genre will most likely get really bored, really fast. Although they will come away knowing the song by heart. Which just emphasizes my point, popular music teaches all the wrong lessons for listening to classical music. Classical music also has a melodic ‘hook’, often call a motif. This motif goes around and around, but every time suffers important alterations. The casual listener often finds himself bored to tears as it seemingly repeats itself over and over, but only because s/he is only superficially listening. More careful attention reveals that the composer takes that melody and flips it upside down, sideways, backwards, high, low, fast, slow, and finally pulls it right side up again, all to the counterpoint of an entire orchestra. In other words, you cannot do other things while listening to classical music. Cleaning the house to the sound of the Beatles will work fine, but listening to Mozart’s Requiem with the vacuum cleaner going will make it range from inaudible to noise. The secret to enjoyment lies in paying attention and ignoring outside distractions. I won’t promise that this way of listening will make classical your favorite music, but at least you will know what you’ve been missing. Reading Poetry Poetry compares to popular novels like classical music compares to popular music. Reading a poem one time through and then saying, “I don’t get it” only emphasizes that s/he doesn’t know how to read poetry. Try the following process: Read the poem, read it again, stopping to take note of allusions and new words, look them up and read it again. You’ll appreciate it more. For more information on a classical music, visit http://concertmicroblog.com and http://poetrymicroblog.com

Posted by Elizabeth on May 22, 2009 in Classical Music with 5 Comments


Jazzfanatic


What master’s degree would best suit me? I’m a music teacher, but I want to become a reading (English, not music) specialist. I want to use music activities to help kids who struggle with reading – ala Mozart Effect/multiple intelligences/etc. I have found courses that offer certificates in Multiple Intelligences, but there’s not much around that specifically relates music activities to accelerated learning in other subjects like reading. Any thoughts or suggestions?

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Posted by Elizabeth on May 21, 2009 in Classical Music with No Comments


Andrew Good


Apocalyptica tickets are now available and can be bought or sold online at Stubhub.com.

People living in the Nordic region of Europe must have Viking blood running through their veins. How else to explain the passion for dark, violent, dramatic metal?

Even those with classical training have a love for it, it seems. Apocalyptica, a cello quartet from Helsinki, Finland, were initially received as an amusing novelty when they debuted in 1996 with an album full of Metallica covers. But in time, they’ve gained an enormous amount of respect and goodwill from metal fans around the world, which enjoy their music for containing all the drama and rage of a good metal song.

The band is composed of four cellists who met at the Sibelius Academy for music: Eicca Toppinen, Max Lilja, Antero Manninen and Paavo Lotjonen. At first, their diverse range included everything from Bach to Jimi Hendrix. But eventually, their shared love of metal led them to craft covers of well-known metal standards. The bands they included Pantera, Metallica, Slayer and more. Eventually, they decided to join a covers night at a local metal club. They approached the gig with some trepidation—they weren’t sure how the crowd would react—but in the end, they received lots of applause and had a great time.

After putting out their first album (with a title that was straight and to the point: Four Cellos Cover Metallica), they continued to tour and gig both at home and abroad. In Finland, and especially in Helsinki, they were a massive hit. But the band thought they could do more.

They began writing their own songs, and eventually added a drummer, Dave Lombardo. This allowed them to pursue more of a rock or metal hybrid sound as opposed to a strictly classical one. They found future success with each album that came out. Their most recent, 2007’s Worlds Collide, featured an excellent cover of David Bowie’s “Heroes” sung in German by Rammstein frontman Till Lindemann.

Now on tour, this is the time for metal fans to snap up some Apocalyptica tickets and see this band live.





Posted by Elizabeth on May 18, 2009 in Classical Music with No Comments


Michael Breck


The use of classical music can turn any wedding ceremony into an act of great beauty.

Classical music can add romance, class, set the tone for each part of your ceremony, and paint a unique sound picture of your special day.

Not only will people remember the visual treat of the the blushing bride, the beautiful wedding dress, the spectacular cake, the gorgeous flowers – they will also remember “the music”. It will stick in their minds for years to come.

If you hire a String Quartet or Harpist to provide the music for the ceremony, then they will usually provide some suggestions about the choice of music. However, you have to be careful that they are not just suggesting pieces that they would prefer to play – rather than what you would like.

If you are not familiar with Classical music, then the choice can be quite daunting. However, here is a list of beautiful music, which has been tried and tested by professional String Quartets playing at weddings for many years.

The Bride’s Entrance Music – The Processional

Pachelbel – Canon in D Trumpet Voluntary – J.Clark The Wedding March – Mendelssohn The Bridal Chorus (from Lohengrin) – Wagner Water Music – Handel Ave Maria – Bach-Gounod Ave Maria – Schubert

Signing of the Register or Marriage License

String Quartets – Mozart Divertimenti – Mozart Pachelbel – Canon in D Air on a G String – Bach Flower Duet – Delibes Passacaglia – Handel

Exit Music – Recessional

Arrival of the Queen of Sheba – Handel Wedding March – Mendelssohn Diverimenti – Mozart Water Music (Hornpipe) – Handel Alla Danza – Handel Jesu, Joy of Mans Desiring.

This list is, of course, not exhaustive. However, it does give you a excellent starting point to work from.

An excellent example programme from the list would be:

Processional – Pachelbel – Canon in D Signing the Register – Air on a G String and the Flower Duet Recessional – Arrival of The Queen of Sheba.

Pachebel’s Canon is quiet and very beautiful. Air on a G String is contemplative and The Flower Duet is beautiful, joyful, and uplifting. Finally, The Arrival of The Queen of Sheba is grand, fast, and joyful. It is a marvellous piece of music for the Recessional and will have you and your husband skipping back up the aisle.

If you do not know what some of these pieces sound like, then do not worry. All you have to do is type the name of the piece followed by MP3 into Google. You will then find lots of sites where your can listen or download the music for free.

So,  now you can choose the music for your wedding as you surf!

Not even The Beach Boys could do that…



Posted by Elizabeth on May 11, 2009 in Classical Music with 2 Comments


Sahar T


what were the long and short term effects of mozart’s works?

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Posted by Elizabeth on May 5, 2009 in Classical Music with 1 Comment


Alexander D


Although I enjoy classical music, when I am doing homework for school, there is a very great improvement in the work, and in the speed of it, when I listen to classical music.

Why may this be?

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Posted by Elizabeth on May 5, 2009 in Classical Music with No Comments


Susanne Pacher


At 9:30 am I went to visit Klaudia, one of my best friends from high school, at her parent’s house. Our other school mate Doris was already there and it was great to see both of them again, more than 23 years after we graduated from high school. After the initial hugs and kisses and how-are-yous we started walking onto the local hill, the Weizberg. Our stroll took us through the local cemetery where we admired a very famous grave: the last resting place of Aurelia Schwarzenegger, Arnold’s mother, who was a long-time resident of Weiz.

Klaudia even mentioned that her father happened to encounter Mrs. Schwarzenegger at the cemetery a number of years ago, but she had collapsed due to a heart attack. My friend’s father called the ambulance which gave her emergency treatment and took her to the hospital. She passed away shortly after and Arnold Schwarzenegger sent a thank you letter to the ambulance employees as well as to Klaudia’s father, to thank him for getting help for his mother. Proof that in this town real celebrity connections are just steps away…

Right next to the church is the so-called “Kräutergarten” (herb garden) that was created by a group of local residents (including Klaudia’s mom) that features a wide variety of local herbs, many of which are used in the regional cuisine. Then we took the romantic stairs down the hill, a pathway that we had walked many times as children. Our local stroll took us past our former high school, where we discussed fond memories of our school years.

One of the highlights of our high school careers were two choir trips to Germany, to our partner school in Offenburg, where the two school choirs jointly performed classical songs. We most fondly recalled the actual concert where for the finale both school choirs appeared together to jointly sing the last song. Screaming our lungs out among 120 singers from two different countries was an exhilarating experience, and not surprisingly my passions for cross-cultural exchanges were kindled at an early age.

After our return to Klaudia’s parents Doris left and the rest of us started preparing a hearty meal, and I, by no means gifted in the kitchen, donned the apron and started cutting and chopping whatever needed to be done. (Good thing I was not in charge of any really important tasks…) Klaudia’s mom whipped up a delicious meal for 10+ people in next to no time and we soon sat down in the garden to have some Austrian specialties: we savoured a “Bröselknödelsuppe” (breadcrumb dumplings in a clear beef broth), stuffed green peppers and delicious mashed potatoes with caramelized onions.

Given this delicious yet substantial calory injection, we had to do a work-out and decided to do a hike up onto the Schöckel, at over 1400 m the highest local mountain. Around 2 pm we met up with Doris again and all three of us broke out our Nordic walking poles and we attacked the mountain from its steepest side. Doris, an experienced hiker, led the group at a rather hellish pace, and the two of us clambered behind her. Some areas were so steep we had to use our hands to brace ourselves climbing up between the rocks. But our walking sticks definitely aided in the ascent and about an hour later we were rewarded with an astounding 360 degree view over the Styrian hills and mountains.

The Schöckel is also referred to as the “Grazer Hausberg” or local mountain of Graz, and we had great views down into the Styrian capital and the Mur Valley. To the south the Austrian and Slovenian plains were stretching out, looking east and right saw the foothills of Eastern and Western Styria, and to the north we took in the panorama of the more imposing mountains of the Styrian Alps. We also saw several ramps for hang-gliders, a popular activity in this region.

We walked past some peaceful cows that were grazing on the mountain pastures and reached the summit area which is the location of the upper station of the cable car, of a couple of restaurants and a summer tobogganing course. The weather today was brilliant and many serious hikers, mountain bikers and tourists were congregating at the mountain top. We were quite fascinated by the summer tobogganing and Doris suggested that I should try it.

Well, I have always been a bit of a daredevil and she did not have to say it twice. She even sprang for my Euro 2.50 round, and a couple of minutes later I was sitting in the steel “buggy of death”, ready for my hair-raising descent down the serpentine curves of the course. Actually, the ride was a lot tamer than I expected, and I only occasionally pulled the brakes, but it was still an very entertaining experience. I figured if I did it again I would probably try to go down the course without breaking at all.

Once the lift had pulled my buggy back up to the summit plateau we started walking past the Stubenberghaus, a large mountain restaurant and inn, towards the summit cross which provides a beautiful view northwards into the mountainous area of Upper Styria. I have always loved mountains, and to see peak after peak after peak was just a great experience. We then started hiking back to the car and our trek back down was considerably easier than the torturous climb up. We stopped at Doris’ beautiful country house on the way back where we admired her recently created garden pond and her new dog. Equipped with some gorgeous ripe Styrian peaches from Doris’ family’s farm we returned to Weiz and I dropped Klaudia off.

About an hour later we reunited when Klaudia, her husband and two children, her parents, her sister Andrea and her daughters Nina and Katja arrived at my brother’s place. Tonight we would all get together for a great barbecue, and my brother Ewald, the passionate chef, had a few special treats waiting for us. Anneliese, my sister-in-law, had been helping all afternoon with the preparations.

After some initial chit-chatting we started off with a savoury vegetable soup, and then my brother started preparing the main course: 13 whole artic chars were waiting to be grilled in a large pan on an open fire. Ewald had already been marinating the fish in a special blend of herbs and spices the whole day. Tender young potatoes were to accompany the fish, and a solid Styrian salad with pumpkin seed oil rounded out the main course. A scrumptious raspberry parfait provided the sweet final note to our culinary symphony.

So despite a bit of rainy weather yesterday, I had had a fantastic couple of days which included classical music, hiking, a reunion with good friends and an amazing array of gastronomic delicacies. Now there is only one more full day left of my trip to Austria, and tomorrow we will explore one of the medieval treasures of Styria: the Riegersburg, a massive fortress on a basaltic outcrop dating back to the 10th century, often referred to as the “strongest fortress of Christianity” because it was never conquered.



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